Scrolling Years (1789-2024), 2024
Performance with recorded chapsichord and piano, live electronics, LiDAR sensors, AI network, video projection, 15’
The performance Scrolling Years (1789-2024) is a visual time travel through online sourced digital images animated by body movements and paired with baroque and electronic music. An AI trained on the performer's movements will anticipate his actions and take control of the simultaneous movement of the visual matter. The work explores historical memory via popular online images, juxtaposing today’s image proliferation with the ornamentation of baroque music.
In collaboration with
Zeno Lösch (Sound design and programming), Daniele Corbari Verzeletti (Composer), Christos Dimitrios Kollias (Pianist/Interpret), Daniel Morandini (Programmer).
Part of the artist in residency program "Sonic Experiments 2024" at ZKM - Zentrum für Kunst und Medien, Karsruhe, Germany.
Funded by the EU's "Creative Europe"-program, "Culture Moves Europe" and Goethe-Institute. Co-funded by Autonome Provinz Bozen - Deutsche Kultur.
Scrolling Years (1968-1996-2024), 2024. Installation view at Hartslane, London UK. Curated by Elephant Events. Photo:Giovanni Zonta
Holiday Postcards, 2022 in collaboration with BBDB Studio Photo: slowphoto.studio
We have to talk, 2019 Installation view at ar/ge kunst.
The Screaming Image, 2022 Performance at BASIS Vinschgau Venosta sound design by Zeno Lösch. Programming by Daniel Morandini and Andrea Kaus. Documentation by Matthias Lintner.
Butter House, 2018/2020
Collection, 2018
Bench, 2019 Performed by Federico Pontarollo and Daniele Corbari Verzeletti
0 100, 2018
Bright, 2018
The Smell of Cold, 2018
Paradiso I, 2018. In collaboration with programmer Romeo Bellon.
Fish and Oranges, 2020. Directed by Giovanni Zonta and Federico Pontarollo
Maximilian Pellizzari, b.1996 in Bassano del Grappa, Italy is an artist and curator who works with performance, digital media, photography and installation. He studied Art at the Free University of Bolzano and was awarded summa cum laude with the dissertation "L’immagine discorsiva. Riflessioni tra oralità e immagini digitali" in 2020. In 2018 he initiated “The Discursive Image”, a platform for interdisciplinary investigation on the role of digital images, involving professionals from the fields of media theory, computer science, electronic music and visual arts.
His work has been shown at ZKM Zentrum für Kunst und Medien Karlsruhe (2024), Museion Museum of Contemporary Art Bozen (2021), BASIS Vinschgau Venosta Schlanders/Silandro (2022), Hartslane, London (2024) Freie Universität Bozen/Bolzano, BBDB Studio (2022), Bassano del Grappa, Italy; Wellenmaschine Berlin, Q21 Museumsquartier during Foto Wien 2022, Delphi Space Freiburg.
Atelier Maximilian Pellizzari
Via dei Piani di Bolzano 17
Bolzano/Bozen Italy